Ashley Scarlett is an Assistant Professor in the School of Critical and Creative Studies at the Alberta College of Art and Design, where she contributes expertise across the fields of media studies, media art and moving image histories, continental philosophy, and research methods.
Dr. Scarlett's primary research interests lie at the intersection of art, technology and theory. Grounded within theoretically oriented analyses of contemporary media art and its histories, her work maps how digital processes have been mediated, made available to the senses, conceptualized and critiqued through practices of aesthecization. Recent publications in Digital Culture & Society, Parallax, and The Routledge Companion to Photography Theory have articulated how the creative realization and conceptualization of 'catachrestic synesthesia,' 'abandonment,' and 'habit' factor into this line of inquiry.
Complimenting this work, Dr. Scarlett has recently begun a project that explores the intersection between art, technology and the concept of ‘affordance’. This project is comprised of three components: (1) research into the histories of artist residency programming associated with technological industry and innovation; (2) an exploration of the historical and contemporary role that artists have played in shaping the perceived limits, uses, and potentials associated with emerging digital technologies; and (3) a digitally grounded re-examination and renewed theorization of existing philosophies of ‘affordance’. Although in the beginning phases, these trajectories of thought will be explored further through a forthcoming series of events (a symposium, exhibition and web residency program) and edited journal volume with the open access journal Media Theory. This multi-faceted re-examination of 'affordance' is being organized in collaboration with Dr. Martin Zeilinger, Akademie Schloss Solitude and the Zentrum für Kunst und Medientechnologie (ZKM).
Contact: ashley.scarlett [at] acad.ca